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Lorraine Vivian Hansberry

 

Coming in January 2014: lorrainehansberryliterarytrust.com”

Hansberry at Home (Color)HAnsberry at home (b and w)

In Lorraine’s own words…

portrait

Quotes 

Don’t get up. Just sit a while and think. Never be afraid to sit a while and think.
Asagai to Beneatha, Act III. Lorraine Hansberry, A Raisin in the Sun. With an introduction by Robert Nemiroff. NY: Vintage, 2004.
Despair? Did someone say despair was a question in the world? Well then, listen to the sons of those who have known little else if you wish to know the resiliency of this thing you would so quickly resign to mythhood, this thing called the human spirit.
Lorraine Hansberry, “The Negro Writer and His Roots: Toward a New Romanticism,” The Black Scholar Volume 12 (March/April 1981), p.7
It isn’t a circle—it is simply a long line—as in geometry, you know, one that reaches into infinity. And because we cannot see the end—we also cannot see how it changes. And it is very odd that those who see the changes—who dream, who will not give up—are called idealists…and those who see only the circle we call them the “realists”!
Asagai to Beneatha, Act III. In Lorraine Hansberry, A Raisin in the Sun. With an introduction by Robert Nemiroff. NY: Vintage, 2004.
I have suspected for a good time that the homosexual in America would ultimately pay a price for the intellectual impoverishment of women. Men continue to mis-interpret the second-rate status of women as implying a privileged status for themselves; heterosexuals think the same way about homosexuals; gentiles about Jews; whites about blacks; haves about have-nots.
Lorraine Hansberry, 1961 unpublished essay titled, “On Homophobia, The Intellectual Impoverishment of Women and a Homosexual ‘Bill of Rights.'”
Mama—Mama—I want so many things…I want so many things that they are driving me kind of crazy…
Walter to Mama, Act I Scene II. In Lorraine Hansberry, A Raisin in the Sun. With an introduction by Robert Nemiroff. NY: Vintage, 2004.
If by some miracle women should not ever utter a single protest against their condition there would still exist among men those who could not endure in peace until her liberation had been achieved.
Lorraine Hansberry, unpublished essay. As cited in Stephen Carter, Hansberry’s Drama: Commitment amid Complexity. Urbana: University of Illinois Press, 1991.
Seems like God don’t see fit to give the black man nothing but dreams—but He did give us children to make them dreams seem worthwhile.
Mama to Ruth, Act III. In Lorraine Hansberry, A Raisin in the Sun. With an introduction by Robert Nemiroff. NY: Vintage, 2004.
If the world is engaged in a dispute between survival and destruction…then we, as members of the human race, must address ourselves to that dispute.
Lorraine Hansberry, “The Negro Writer and His Roots: Toward a New Romanticism,” The Black Scholar 12 (March/April 1981): 3
When you starts measuring somebody, measure him right…Make sure you done take into account what hills and valleys he come through before he got wherever he is.
Mama to Beneatha, Act III. In Lorraine Hansberry, A Raisin in the Sun. With an introduction by Robert Nemiroff. NY: Vintage, 2004.
I believe that one of the most sound ideas in dramatic writing is that in order to create something universal, you must pay very great attention to the specific.
Lorraine Hansberry radio interview with Studs Terkel, broadcast on WFMT Radio, Chicago, Illinois, May 12, 1959, “Make New Sounds: Studs Terkel Interviews Lorraine Hansberry.” American Theater (November 1984): 6
Children see things very well sometimes—and idealists even better.
Asagai to Beneatha, Act III. Lorraine Hansberry, A Raisin in the Sun. With an introduction by Robert Nemiroff. NY: Vintage, 2004.

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