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Lorraine Vivian Hansberry » I For Color

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Lorraine Vivian Hansberry

Claudia McNeil, Sidney Poitier and Diana Sands (original Broadway produciton)

Claudia McNeil, Sidney Poitier and Diana Sands (original Broadway production)

Ruby Dee, Sidney Poitier and Diana Sands

Ruby Dee, Sidney Poitier and Diana Sands

Glynn Turman and Sidney Poitier (Studio Session)

Glynn Turman and Sidney Poitier (Studio Session)

Ruby Dee, Louis Gossett, Jr. and Sidney Poitier (Studio session)

Ruby Dee, Louis Gossett, Jr. and Sidney Poitier (Studio session)

Diana Sands, Ruby Dee and Sidney Poitier

Diana Sands, Ruby Dee and Sidney Poitier

Ruby Dee, Claudia McNeil, Diana Sands Sidney Poitier and Lloyd Richards (Studio session)

Ruby Dee, Claudia McNeil, Diana Sands Sidney Poitier and Lloyd Richards (Studio session)

Reviews
But she has not tipped her play to prove one thing or another. The play is honest. She has told the inner as well as the outer truth about a Negro family in the south-side of Chicago at the present time. Since the performance is also honest and since Sidney Poitier is a candid actor, A Raisin in the Sun has vigor as well as veracity and is likely to destroy the complacency of any one who sees it.

What the situations are does not matter at the moment. For A Raisin in the Sun is a play about human beings who want, on the one hand, to preserve their family pride and, on the other hand, to break out of the poverty that seems to be their fate. Not having any axe to grind, Miss Hansberry has a wide range of topics to write about-some of them hilarious, some of them painful in the extreme.

You might, in fact, regard A Raisin in the Sun as a Negro The Cherry Orchard. Although the social scale of the characters is different, the knowledge of how character is controlled by environment is much the same, and the alternation of humor and pathos is similar.
http://theater.nytimes.com/mem/theater/treview.html?id=1077011428967&html_title=&tols_title=&byline=&fid=NONE