Faith Ringgold: The Power of Silence

In a 2022 retrospective at the New Museum in Manhattan: from left, “The Bitter Nest, Part II: The Harlem Renaissance Party,” 1988; “The Bitter Nest, Part III: Lovers in Paris,” 1988; and “The Bitter Nest, Part IV: The Letter,” 1988. – Credit: Simbarashe Cha for The New York Times

A series of Ringgold quilts in what she called “The French Collection,” on view in 2022 at the New Museum. – Credit: Faith Ringgold/ARS, NY; Simbarashe Cha for The New York Times

Ms. Ringgold’s “American People Series #20: Die,” from 1967, attracted a crowd at the Museum of Modern Art in June 2019, just before the museum closed for renovations. Credit: Jeenah Moon for The New York Times

When a redesigned Museum of Modern Art reopened later in 2019, it juxtaposed Ms. Ringgold’s “Die” with Picasso’s “Les Demoiselles d’Avignon,” from 1907.  Credit: Estate of Pablo Picasso/Artists Rights Society (ARS), New York; Faith Ringgold/Artists Rights Society (ARS), New York, via ACA Galleries, New York; Jeenah Moon for The New York Times