Dale Ricardo Shields is a 2017 winner of The Kennedy Center/Stephen Sondheim Inspirational Teacher Award®, 2017 and 2015 Tony® award nominee for the Excellence in Theatre Education Award, the 2017 AUDELCO/"VIV" Special Achievement Award, 2020, 2021, and 2022 ENCORE AWARD / The Actors Fund and winner of 2022. Recently, he won the 2022 Legend Award from his alma mater Ohio University. He is the 2021 winner of the Paul Robeson Award, presented (jointly) by the Actors Equity Association and the Actors Equity Foundation.
His extensive professional credits as a Director, Stage manager, and Actor (Broadway, Off-Broadway, Off-Off-Broadway, and Regional) As an actor he has appeared on Saturday Night Live, Another World, Guiding Light, The Cosby Show, and the ITV television series "Special Needs" and commercials and film.
Professor Shields is a member of the Actors Equity Association, Screen Actors Guild, the American Federation of Television and Radio Artists, and the American Guild of Musical Artists performance unions and an associate member of the Society of Stage Directors and Choreographers.
He began his artistic academic career in New York City at Playwrights Horizon, The South Bronx Action Theatre, Mind Builders, and then was invited to join the teaching staff at the Joseph Papp Public Theatre (New York Shakespeare Festival). He represented the United States for Theatre Young Audiences at the ASSITEJ Theatre Festival in London, England.
He has taught and been a visiting artist at Ohio University, The College of Wooster, Denison University, Macalester College, Susquehanna University, and SUNY Potsdam.
He holds B.F.A and M.F.A, Degrees from Ohio University.
Website(s)
Iforcolor.org [Research]
https://en.wikipedia.org/wiki/Dale_Ricardo_Shields [Career]
Glenda Dickerson By Dale Ricardo Shields Glenda Dickerson Influential American theater director, folklorist, writer, and educator. The second African American woman to direct on Broadway with the 1980 musical Reggae. Professional Career & Contributions Dickerson’s work focused on “womanist” adaptations of folklore and myth, particularly through ritualistic performance and reinterpreting classic works from a …
“I’m one of those people who had to learn history, our history, the hard way on my own. And in the process, I devoted myself to confronting those missing pages from the textbooks about me, about us. Consequently, I’m the clean up man who knows where all the dirt is and pull[s] it out.” ― …
