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The Mammy Archetype: A Black Maiden Syndrome
- By iforcolor in Actress, History, Vaudeville
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February 1, 2025
Viola Davis Regrets Making The Help:
“It Wasn’t the Voices of the Maids That Were Heard”
“There’s no one who’s not entertained by The Help. But there’s a part of me that feels like I betrayed myself, and my people, because I was in a movie that wasn’t ready to [tell the whole truth],”
Davis says. The Help was “created in the filter and the cesspool of systemic racism.”
“What did Octavia Spencer say? Fox News reported that the actress said she doesn’t know if the film would have been made today, but that it absolutely should be made. “Why can’t the story be told? I think what’s happening in society right now is very, very dangerous because, you know, we are scrubbing the history books.”

The Help (2011)
L-R Octavia Spencer and Viola Davis
At the time of the movie’s release, the Association of Black Women Historians said the movie “distorts, ignores, and trivializes the experiences of Black domestic workers.”
Davis agreed, saying: “I just felt that at the end of the day that it wasn’t the voices of the maids that were heard.

The Help. “An aspiring author during the civil rights movement of the 1960s decides to write a book detailing the African-American maids’ point of view on the White families for which they work, and the hardships they go through on a daily basis.”

http://newsone.com/1456115/the-help-maids-in-america/
The big difference is that while the movie is set in the racially segregated South of years past and focuses on the plight of African-Americans, many of today’s domestic workers are from other countries. Some have many years of education in their backgrounds, but when they come to the United States, the only work they can find is domestic. And they are organizing.
In addition to the challenges of seeking acceptable roles, actors and actresses, must battle the challenges of colorism, sexual exploitation, and a lack of desire within Hollywood, to create educational, historical, and accurate portrayals of Black culture.
- Abbey Lincoln, Al Jolson, Amanda Randolph, Anna Robinson, Barbara Stanwyck, Beau Bridges, Bette Davis, Bob Corley, Butterfly McQueen, Cicely Tyson, Clark Gable, Claudia McNeil, D.W. Griffith, Dale Ricardo Shields, David O. Selznick, Diahann Carroll, Dorothy Dandrige, Edith Wilson, Estelle Evans, Esther Rolle, Ethel Waters, Harriet Beecher Stowe, Hattie McDaniel, Hess Love, Ida B. Wells, James Weldon Johnson, Jean Harlow, Jennie Lee, John Kenrick, John Wesley Holloway, Kathryn Stockett, Langston Hughes, Lauri Peters, Lillian Randolph, Louis Armstrong, Louise Beavers, Marla Gibbs, Marlon Hurt, Maxine Sullivan, Nan Martin, Nancy Green, Nell Carter, Octavia Spencer, Oprah Winfrey, Otis McDaniel, Rosie Lee Moore Hall, Ruby Dandridge, Sanaa Lathan, Shirley Temple, Sidney Poitier, Sojourner Truth, Theresa Harris, Viola Davis, Virginia Capers, Vivien Leigh, Whoopi Goldberg, William Hanna
iforcolor
ARCHIVIST, EDUCATOR, HISTORIAN, and ARTiST
Dale Ricardo Shields is highly accomplished African American actor, director, producer, and educator with a distinguished career in theatre and academia.
Here's a summary of his background and achievements:
Early Life and Family:
Born on November 4, 1952, in Cleveland, Ohio.
His family has a strong musical background; his grandfather and father were founding members of the Shields Brothers Gospel Quartet of Ohio, and his mother was part of the Turner Gospel Singers.
He is a cousin of boxing promoter Don King.
Education:
Graduated from John F. Kennedy High School in 1970.
Holds both a BFA (1975) and MFA (1995) from Ohio University.
Career and Contributions
Theatre Professional:
Actor: Has appeared on Broadway, Off-Broadway, Off-Off-Broadway, and in regional productions. His television credits include The Cosby Show, Another World, Guiding Light, Saturday Night Live, and the ITV series Special Needs. He has also appeared in commercials and films.
Director and Stage Manager: Has extensive professional credits in these roles, including projects at Lincoln Center, The Henry Street Settlement House (New Federal Theatre), The Negro Ensemble Company, and The Joseph Papp Public Theatre.
Assistant Director: Served as assistant to Lloyd Richards and assistant director for the New Federal Theatre premiere of Ossie Davis's play A Last Dance With Sybil starring Ruby Dee and Earl Hyman.
Educator:
Professor: He is a Professor of Acting, Directing, Black Theatre, Black Studies, and Stage Management. He has taught at various institutions, including Ohio University, The College of Wooster, Denison University, Macalester College, Susquehanna University (as artist-in-residence), and SUNY Potsdam.
Workshops and Programs: Conducted workshops for Joseph Papp's Playwriting in the Schools Program (PITS) at The Public Theatre for six seasons and represented the United States at the ASSITEJ Theatre Festival in London, England, in 1988.
Artistic Activist and Historian:
Iforcolor.org: Creator and archivist for the Black History website Iforcolor.org, dedicated to preserving and sharing information about African Americans and artists of color. He also maintains the "Black Theatre/African American Voices" website on Facebook.
Project1VOICE Liaison: Serves as the Project1VOICE Liaison for the state of Ohio, directing "One Play One Day" events in Cleveland since 2011.
Awards and Recognition:
The Kennedy Center/Stephen Sondheim Inspirational Teacher Award: Recipient in 2017.
Paul Robeson Award: Recipient in 2021 (jointly presented by the Actors' Equity Association and Actors' Equity Foundation).
AUDELCO/"VIV" Special Achievement Award: Received in 2017.
Tony Award Nominee: Nominated for the "Excellence in Theatre Education Award" in 2015 and 2017.
Ebony Bobcat Network (EBN) Legend Award: Received from Ohio University in 2022.
ENCORE AWARD / The Actors Fund: Received in 2020, 2021, 2022, and 2024.
Outstanding Professor Awards: Has received two of these and three "Educational Program of the Year" awards as a university professor.
The HistoryMakers archives: Interviewed and included in The HistoryMakers archives, permanently housed in the Library of Congress.
Dale Ricardo Shields is recognized for his profound impact on the lives of his students and his unwavering dedication to preserving and promoting Black theatre history and culture.
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