Robert Hooks

Kevin Hooks holding Sardi’s characterization of his dad. Sardi’s (New York City).

Don Bevin
AWARDS
1966 – Theatre World Award (1965–66 ) for “Where’s Daddy?” (The Billy Rose Theatre)
1979 – American Black Achievement Award – Ebony Magazine
1982 – Emmy Award for Producing (1982) Voices of Our People: In Celebration of Black Poetry (KCET-TV/PBS)
1966 – Tony Nomination, Lead Role in a Musical for Hallelujah, Baby
1985 – Inducted into The Black Filmmakers Hall of Fame, recipient Oscar Micheaux Award (1985)
1986 – March 2nd declared Robert Hooks Day by the City of Los Angeles, Mayor Tom Bradley
1987 – Excellence in Advertising and Communications to Black Communities from CEBA (Excellence in Advertising and Communications to Black Communities)
2000 – Honorary Doctor of Humane Letters, Honoris Causa honorary degree, Bowie State University
2000 – May 25th declared Robert Hooks Day in Washington, D.C.
2005 – Beverly Hills/Hollywood Chapter NAACP Image Award for Lifetime Achievement
2005 – Beverly Hills/Hollywood Chapter NAACP Trailblazer Award to the Negro Ensemble Company
2005 – Trailblazer Award – City of Los Angeles
2006 – The Black Academy of Arts and Letters (TBAAL), Lifetime Achievement Award (Dallas)
2007 – The Black Theatre Alliance Awards / Lifetime Achievement Award
2015 – Living Legend Award (2015) National Black Theatre Festival
2018 – October 18th proclaimed Robert Hooks Day by Mayor Muriel Bowser, Washington, D.C.
2018 – Hooks is entered into The Congressional Record by the Hon. Eleanor Holmes Norton, September 4, 2018, Vol. 164
2018 – Visionary Founder and Creator Award – D.C. Black Repertory Company on its 47th Anniversary
2024 – the International Black Theatre Festival’s SIDNEY POITIER LIFETIME ACHIEVEMENT AWARD
~*~
“The Negro Ensemble Company, which he co-founded in the mid-’60s, was cranking out brilliantly trained black actors, writers, producers, dancers, designers, and other technicians destined for careers in the larger entertainment world. We had never seen this kind of Black arts movement since the Harlem Renaissance, and Robert’s imprint was all over it.”
– Quincy Jones –
“Without his brilliant vision, commitment and connections, his producing skills, his celebrity there would have been no NEC, no Denise Nicholas, no Lonne Elder, no Rosalind Cash or Douglas Turner Ward, no Michael Schultz…no Denzel Washington. We owe that and more to Robert Hooks.” -Denise Nicholas-
“Robert Hooks, Sr. was at the center of the contemporary Black Theatre movement. He, with close friends, drew the circle which became the Center. A fine actor, he was able to set aside his own thirst to be on the stage, to allow younger and less acclaimed actors chances to step upon the boards and unveil their talents to the world.” -Maya Angelou-
“In recounting Robert Hooks’ past accomplishments, it becomes clear that he should be actively treasured as a resource today. Everything Robert Hooks has to say is about our engagement with culture for our autonomy and survival as theater artists and as a people.”
-Herbert Allen- Chicago-based playwright & TV producer

“Emory University of Atlanta now has the many, many boxes, and electronic file materials of my entire professional life and career to place in their University archives. I’m thrilled my complete and extensive materials will be held, displayed, and studied at such a prestigious institution of higher learning.”

Filming at WACO Theater Center. 2023

Original canvas creation by artist Temi Wynston Edun. Presented to me at the 47th Anniversary of the DC Black Repertory Company, (DCBRC.) By the DCBRC Alumni Association and the Multi-Mediia Training Institute, at the Lincoln Theatre on October 18th, 2018. Mayor Muriel Bowser, declaring Robert Hooks Day in DC. And DC Congresswoman Eleanor Holmes Norton bestowing a Congressional Record plaque and honoring the DCBRC for its artistic achievements, what a celebration for the company and for our hometown! Seen in the painting are members of the original theatre staff (from L to R in ‘horseshoe’ fashion) Vantile E, Whitfield, Eric Hughes, Ed Murphy, Don Sutton, Carolyn Jones, Louis Johnson, Jimmy Hooks, Bernice Reagon Johnson. Carolyn Smith, Petey Grenne, Darrell Sabbs, Mike Malone, and Honoree DCBRC Founder me, Robert Hooks in the center!… The 47th DCBRC Anniversary celebration and its amazing events were something to behold! Temi Wynston Edun’s artwork hangs proudly in my Toluca Lake home.

2024 International Black Theatre Festival.
Monday, July 29th, 2024
NO COPYRIGHT INFRINGEMENT INTENDED
(c) All Rights Reserved iforcolor.org (Dale Shields)
How would you like to be remembered?
“The main thing I want people to remember about me is that my career and my success are more than myself, which is really the title of my upcoming book. What I’ve done, the legacy that I leave, is what I’ve done for others, what I’ve been able to do for other artists in this industry, Black artists in this industry. Acting is fine, and the credits are nice and all that, but that’s not why I’m in this industry. That’s not why I have been successful in this industry. It’s because I’ve done things for other people. And I’ve enjoyed doing things for other people, starting all the way back to the Group Theatre Workshop with those kids I got off the streets of New York when they didn’t have any place to go. And now their careers are blooming. That’s what I want to be remembered by.”
– Robert Hooks
- A Raisin In The Sun, Aaron Loves Angela, Adolph Caesar, Adolph Green, Al Cook, Alfre Woodard, Antonio Fargas, Arthur French, Arthur Laurents, Backstairs at the White House, Barbara Ann Teer, Beah Richards, Bernie Casey, Betty Comden, Bibi Besch, Cecilia Ann Hooks Onibudo, Chester Sims, Christopher Michael Carter, Chuck Gordone, Cicely Tyson, CicelyTyson, Clarence Avant, Claudia McNeil, Dale Ricardo Shields, Dale Shields, Daphne Maxwell Reed, DC Black Repertory Company, Debbie Allen, Denise Nicholas, Denzel Washington, Diana Sands, Dick Anthony Williams, Dick Gregory, Don Murray, Douglas Turner Ward, Ed De Shae, Eric Hooks, Gerald S. Krone, Glenda Dickerson, Glynn Turman, Godfrey Cambridge, Gwendolyn Brooks, Hallelujah Baby, Hattie Winston, Hattie Winston Wheeler, Helen Martin, Howard University, Hurry Sundown, Ivan Dixon, Ja'net Dubois, Janet MacLaughlan, Jean Genet, Jennifer West, Joseph Papp, Jr., Judyann Elder, Jule Styne, Kevin Hooks, Kiyo Dean Tarpley Hooks, Larry Riley, Leslie Uggams, Lex Monson, Lillian Hayman, Lonne Elder III, Lou Gossett, Louise Stubbs, Luise Heath, Luther Henderson, Maya Angelou, Melvin Van Peebles, N.Y.P.D., Nancy Carter, Nancy Wilson, Negro Ensemble Company, New York Shakespeare Festival, Oggi Oburn, Paul Winfield, Police Story, Raymond St. Jacques, Robert Hooks, Ron O'Neal, Rosalind Cash, Roscoe Lee Browne, Rosey Grier, Ruby Dee, Seventeen Again, Sidney Poitier, Sonny Jim Gaines, Sophisticated Gents, Terry Carter, Thalmus Rasualla, Trouble Man, Vinnie Burrows, Where's Daddy?, William BT Taylor
iforcolor
ARCHIVIST, EDUCATOR, HISTORIAN, and ARTiST
Dale Ricardo Shields is highly accomplished African American actor, director, producer, and educator with a distinguished career in theatre and academia.
Here's a summary of his background and achievements:
Early Life and Family:
Born on November 4, 1952, in Cleveland, Ohio.
His family has a strong musical background; his grandfather and father were founding members of the Shields Brothers Gospel Quartet of Ohio, and his mother was part of the Turner Gospel Singers.
He is a cousin of boxing promoter Don King.
Education:
Graduated from John F. Kennedy High School in 1970.
Holds both a BFA (1975) and MFA (1995) from Ohio University.
Career and Contributions
Theatre Professional:
Actor: Has appeared on Broadway, Off-Broadway, Off-Off-Broadway, and in regional productions. His television credits include The Cosby Show, Another World, Guiding Light, Saturday Night Live, and the ITV series Special Needs. He has also appeared in commercials and films.
Director and Stage Manager: Has extensive professional credits in these roles, including projects at Lincoln Center, The Henry Street Settlement House (New Federal Theatre), The Negro Ensemble Company, and The Joseph Papp Public Theatre.
Assistant Director: Served as assistant to Lloyd Richards and assistant director for the New Federal Theatre premiere of Ossie Davis's play A Last Dance With Sybil starring Ruby Dee and Earl Hyman.
Educator:
Professor: He is a Professor of Acting, Directing, Black Theatre, Black Studies, and Stage Management. He has taught at various institutions, including Ohio University, The College of Wooster, Denison University, Macalester College, Susquehanna University (as artist-in-residence), and SUNY Potsdam.
Workshops and Programs: Conducted workshops for Joseph Papp's Playwriting in the Schools Program (PITS) at The Public Theatre for six seasons and represented the United States at the ASSITEJ Theatre Festival in London, England, in 1988.
Artistic Activist and Historian:
Iforcolor.org: Creator and archivist for the Black History website Iforcolor.org, dedicated to preserving and sharing information about African Americans and artists of color. He also maintains the "Black Theatre/African American Voices" website on Facebook.
Project1VOICE Liaison: Serves as the Project1VOICE Liaison for the state of Ohio, directing "One Play One Day" events in Cleveland since 2011.
Awards and Recognition:
The Kennedy Center/Stephen Sondheim Inspirational Teacher Award: Recipient in 2017.
Paul Robeson Award: Recipient in 2021 (jointly presented by the Actors' Equity Association and Actors' Equity Foundation).
AUDELCO/"VIV" Special Achievement Award: Received in 2017.
Tony Award Nominee: Nominated for the "Excellence in Theatre Education Award" in 2015 and 2017.
Ebony Bobcat Network (EBN) Legend Award: Received from Ohio University in 2022.
ENCORE AWARD / The Actors Fund: Received in 2020, 2021, 2022, and 2024.
Outstanding Professor Awards: Has received two of these and three "Educational Program of the Year" awards as a university professor.
The HistoryMakers archives: Interviewed and included in The HistoryMakers archives, permanently housed in the Library of Congress.
Dale Ricardo Shields is recognized for his profound impact on the lives of his students and his unwavering dedication to preserving and promoting Black theatre history and culture.