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The Mammy Archetype: A Black Maiden Syndrome
- By iforcolor in Actress, History, Vaudeville
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February 1, 2025
Viola Davis Regrets Making The Help:
“It Wasn’t the Voices of the Maids That Were Heard”
“There’s no one who’s not entertained by The Help. But there’s a part of me that feels like I betrayed myself, and my people, because I was in a movie that wasn’t ready to [tell the whole truth],”
Davis says. The Help was “created in the filter and the cesspool of systemic racism.”
“What did Octavia Spencer say? Fox News reported that the actress said she doesn’t know if the film would have been made today, but that it absolutely should be made. “Why can’t the story be told? I think what’s happening in society right now is very, very dangerous because, you know, we are scrubbing the history books.”

The Help (2011)
L-R Octavia Spencer and Viola Davis
At the time of the movie’s release, the Association of Black Women Historians said the movie “distorts, ignores, and trivializes the experiences of Black domestic workers.”
Davis agreed, saying: “I just felt that at the end of the day that it wasn’t the voices of the maids that were heard.

The Help. “An aspiring author during the civil rights movement of the 1960s decides to write a book detailing the African-American maids’ point of view on the White families for which they work, and the hardships they go through on a daily basis.”

http://newsone.com/1456115/the-help-maids-in-america/
The big difference is that while the movie is set in the racially segregated South of years past and focuses on the plight of African-Americans, many of today’s domestic workers are from other countries. Some have many years of education in their backgrounds, but when they come to the United States, the only work they can find is domestic. And they are organizing.
In addition to the challenges of seeking acceptable roles, actors and actresses, must battle the challenges of colorism, sexual exploitation, and a lack of desire within Hollywood, to create educational, historical, and accurate portrayals of Black culture.
- Abbey Lincoln, Al Jolson, Amanda Randolph, Anna Robinson, Barbara Stanwyck, Beau Bridges, Bette Davis, Bob Corley, Butterfly McQueen, Cicely Tyson, Clark Gable, Claudia McNeil, D.W. Griffith, Dale Ricardo Shields, David O. Selznick, Diahann Carroll, Dorothy Dandrige, Edith Wilson, Estelle Evans, Esther Rolle, Ethel Waters, Harriet Beecher Stowe, Hattie McDaniel, Hess Love, Ida B. Wells, James Weldon Johnson, Jean Harlow, Jennie Lee, John Kenrick, John Wesley Holloway, Kathryn Stockett, Langston Hughes, Lauri Peters, Lillian Randolph, Louis Armstrong, Louise Beavers, Marla Gibbs, Marlon Hurt, Maxine Sullivan, Nan Martin, Nancy Green, Nell Carter, Octavia Spencer, Oprah Winfrey, Otis McDaniel, Rosie Lee Moore Hall, Ruby Dandridge, Sanaa Lathan, Shirley Temple, Sidney Poitier, Sojourner Truth, Theresa Harris, Viola Davis, Virginia Capers, Vivien Leigh, Whoopi Goldberg, William Hanna
iforcolor
ARCHIVIST, EDUCATOR, HISTORIAN, and ARTiST
Dale Ricardo Shields is a 2017 winner of The Kennedy Center/Stephen Sondheim Inspirational Teacher Award®, 2017 and 2015 Tony® award nominee for the Excellence in Theatre Education Award, the 2017 AUDELCO/"VIV" Special Achievement Award, 2020, 2021, and 2022 ENCORE AWARD / The Actors Fund and winner of the 2022.
Recently, he won the 2022 Legend Award from his alma mater Ohio University.
He is the 2021 winner of the Paul Robeson Award, presented (jointly) by the Actors Equity Association and the Actors Equity Foundation.
Research Accomplishments:
His extensive professional credits as a Director, Stage manager, and Actor (Broadway, Off-Broadway, Off-Off-Broadway, and Regional) As an actor he has appeared on Saturday Night Live, Another World, Guiding Light, The Cosby Show, and the ITV television series "Special Needs" and commercials and film.
Professor Shields is a member of the Actors Equity Association, Screen Actors Guild, the American Federation of Television and Radio Artists, and the American Guild of Musical Artists performance unions and an associate member of the Society of Stage Directors and Choreographers.
He began his artistic academic career in New York City at Playwrights Horizon, The South Bronx Action Theatre, and Mind Builders, and then was invited to join the teaching staff at the Joseph Papp Public Theatre (New York Shakespeare Festival). He represented the United States for Theatre Young Audiences at the ASSITEJ Theatre Festival in London, England.
He has been a Professor and Visiting Artist at Ohio University, The College of Wooster, Denison University, Macalester College, Randolph- Macon College, Susquehanna University, and SUNY Potsdam.
He holds B.F.A and M.F.A, Degrees from Ohio University.
Website(s)
Iforcolor.org [Research]
https://en.wikipedia.org/wiki/Dale_Ricardo_Shields [Career]
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