iforcolor
ARCHIVIST, EDUCATOR, HISTORIAN, and ARTiST
Dale Ricardo Shields is a 2017 winner of The Kennedy Center/Stephen Sondheim Inspirational Teacher Award®, 2017 and 2015 Tony® award nominee for the Excellence in Theatre Education Award, the 2017 AUDELCO/"VIV" Special Achievement Award, 2020, 2021, and 2022 ENCORE AWARD / The Actors Fund and winner of the 2022.
Recently, he won the 2022 Legend Award from his alma mater Ohio University.
He is the 2021 winner of the Paul Robeson Award, presented (jointly) by the Actors Equity Association and the Actors Equity Foundation.
Research Accomplishments:
His extensive professional credits as a Director, Stage manager, and Actor (Broadway, Off-Broadway, Off-Off-Broadway, and Regional) As an actor he has appeared on Saturday Night Live, Another World, Guiding Light, The Cosby Show, and the ITV television series "Special Needs" and commercials and film.
Professor Shields is a member of the Actors Equity Association, Screen Actors Guild, the American Federation of Television and Radio Artists, and the American Guild of Musical Artists performance unions and an associate member of the Society of Stage Directors and Choreographers.
He began his artistic academic career in New York City at Playwrights Horizon, The South Bronx Action Theatre, and Mind Builders, and then was invited to join the teaching staff at the Joseph Papp Public Theatre (New York Shakespeare Festival). He represented the United States for Theatre Young Audiences at the ASSITEJ Theatre Festival in London, England.
He has been a Professor and Visiting Artist at Ohio University, The College of Wooster, Denison University, Macalester College, Randolph- Macon College, Susquehanna University, and SUNY Potsdam.
He holds B.F.A and M.F.A, Degrees from Ohio University.
Website(s)
Iforcolor.org [Research]
https://en.wikipedia.org/wiki/Dale_Ricardo_Shields [Career]
Jonelle starred off-Broadway in the musical version of Irwin Shaw’s Bury the Dead right after filming Come Back Charleston Blue. New York Times reviewer Walter Kerr saw her performance and was moved to award her the dream of every actor, “a love letter review.” It was soon thereafter that Joseph Papp called her for Two Gentlemen of Verona. Originally planned as one of the New York Shakespeare Festival productions in Central Park, it was given a rock score at the suggestion of director Mel Shapiro to help give the modern adaptation of the play the proper contemporary flavor. She was nominated for a Tony Award for Best Actress in a Musical and won The Drama Desk Award, Drama Critics Award, Outer Circle Award, and Theatre World Award. 